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Everything posted by Saishu
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Zetsuentai was tired as fuck. I was hoping they were done trying to chase Vinushka. As long as new single doesn’t do the same old pretty melody HEAVY RARRRGH drop again. I guess.
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Ten minutes wtf
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Looks like he’s still stubborn
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Kaoru looks like a cross between a 1930s DC villain and the uncle nobody wants to invite to the picnic.
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DEG did it for years. Maybe Dimlim will eventually go back and re-record the Issei stuff so it doesn’t sound like everyone in the band fell down a tin foil staircase while they were playing
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A best album for a five year old band? someone is trying to get out of a contract
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They played Ambitious Principles twice?
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Tempted to bid on that shit
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My ding dong is hard
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Funny thing about all the solos on Arche is that most of them are in the same place: right after the first chorus of each song. No one can honestly say that Kyo is a great vocalist on a technical level, which is why I don’t really put much stock in all those “THE VOCAL RANGE OF KYO” videos. He’s not consistent at all, but it’s clearly by design since he typically puts emotion before technicality. WtD era was the worst.
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Kaoru saying Shinya is the most stubborn coupled with the suggestion that he wanted to quit when the band dropped the VK image. Also just listen to his playing. He is not interested in extreme metal drumming regardless of the band often tipping in that direction. All that growling and low tuned extended range guitar chugging in Uroko, yet Shinya treats it like a Gauze song.
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Yeah, this pretty much. Insulated World is the first album since Marrow that sounds like it was written with live performances in mind.
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Shinya’s problem is that he’s fucking boring when the band gets heavy. Sure he plays fast, but he’s barely doing anything. Now listen, Shinya’s hands do some creative things. I love his tom patterns, and he usually has some great fills. When he’s in a groove he sounds awesome. Now kick things up a notch; he starts to rely on this very basic kick, snare, kick, snare pattern that’s almost like what you play when you’re just learning to play blast beats. He tried to be more varied during for the DSS stuff, but he couldn’t pull that shit off consistently and started scaling it back for lives. Bottom line: Shinya’s feet suck. I guarantee you he wasn’t gung ho about the band’s heavier direction, and he was probably like “whatever, fuck you guys. Still gonna play like it’s 1999”.
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I did a meet and greet with Kaoru and Die in 2006, then the entire band in 2008. Both times required you to buy merch at the venue (and to be fair, 2006 was at Family Values and applied to every band). There were no barricades at both events; they sat behind tables. The Kaoru and Die meeting was just a quick handshake, the full band meet and greet in 2008 was handshakes and each member signed the merch you bought. No idea how they would handle it now.
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Haven’t really listened to them since Dawning. E
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I used to stuff the obis inside the CD booklet. I’d the CDs came in a plastic sleeve I’d leave the wrapper on as well as the obi. However! With DEG’s book style packaging for deluxe singles and live releases, I’ve been throwing the obis away. The obis are on the BOTTOM, and every time I’d take the case out of the wrapper it was a bitch putting it back in without smashing the obi. At this point I don’t care anymore. The obis typically just mimic what’s already on the case itself.
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The world has gone from insulated to merciful. My money is on yet another ballad with metal production
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I actually prefer the remakes of The Final and Kasumi composition-wise, but they have awful mixes that make them sound flat
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Is Retsu a Hiro fanboy? Some of those clean guitar passages sound like early La’Cryma Christi
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Also, anyone who thinks Mana went in a different direction with M10M is kidding themselves.
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Sorry, but “it’s blu-ray” is not a reason that can be used to justify it costing $150. Especially if the CDJapan listing is correct and there’s only one disc.
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Wait what? Are Sho and Retsu not founding members?
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I really liked Taishi’s playing though. Fuck