Leaderboard

Here's the link for the ones not finding the original tweet [you must have a premium account to access this data]

UPD: CANCELLED!! gibkiy gibkiy gibkiy's oneman at Zirco Tokyo on 10th April was cancelled, but they are going to livestream it on this YouTube channel: https://www.youtube.com/channel/UCNpfjp2IjbvDQc1KSrDLLtg April 10, 20:00 JP time

https://mega.nz/#F!vlgziSjB!AlswDePmPTklTLketnu3vA CURRENT FIXES: https://mega.nz/folder/ObAj0abI#QY7fHuHePXSiXevgEui7QQ PLEASE PM ME IF THERE ARE ANY OTHER VIDEOS WITH STUTTERING/ HLS STITCHING ISSUES. - Videos have been updated 🤫

They released PV spots for Another Side and Shigoumizakura, but never full versions. They remain on Niconico if I am correct, and watermarked versions can be seen on YT. These were made very early in their career, way before they got the record deal with BP, however I don't think full versions were ever made. If they do, then hopefully someone uploads them lol

@WhirlingBlack said: Mejibray revival but they only play 8P-SB songs

tricot have posted one song from their live perfomance (with no audience). On the 13th of April, they'll put on a live online gig which you can buy tickets for 1,000 yen. I'm definitely supporting this. INFO tricot SARUSHIBAI 7pm April 13th Ticket: 1,000 yen https://tricot.zaiko.io/_item/325384

ドーリスマリィ「Ash」 https://www.nicovideo.jp/watch/sm2355167 Actually found the song through here after typing the lyrics:

Now you mention it, some users and I discussed this hypothesis a months ago, and the agreement was over the fact that it may be true. It is almost impossible to explain other way how a group of little to no known indie musicians (yeah, I know Lime was in Lezard, but anyway... who the fuck are them?) launched from night to morning a project with such level of excellence both in music (compositions, recording), looks, videoclips and overall advertising campaign (remember the whole thing of the telephone number where bangya could talk to Lime to make catharsis of their suicidal thoughts? Crazy!). They definitely had a ton of money behind them to do such, and if someone risked that amount of money for funding a band of nobodies in an currently almost dead genre/scene, I think it's obvious that those investors still now take every chance and tool they have acces to to make Kizu deliver profit in the most effective and eficient way. I'm still amazed about the fact that someone decided to take said risk; if I had the money I'm not sure if I would do it considering the situation, tbh. And I'm not against it at all, because it was Kizu the band that (along Dimlim) retained the dignity of VK all this time within a scene full of ultra cringe-worthy newcomers and slowly-dying big fishes...

videos of Mahiros OG Nose ❤️

I'll add onto this post because I too would love to see the full PV some time. So far there's only this short 1:04 long preview of the PV of [アナザーサイド] and one for [獅噛ミ桜], I shall link the two for the ones who want to see what is being asked here and maybe want to help. I also am not very good with the Japanese language and so far only know the basics, any help is appreciated. アナザーサイド 獅噛ミ桜

This. +1 --- Lo-fi could sound cool in some bands, but for the bunch of guys that just released one poor song I don't think they had a better choice, and still there are some good only-songs by bands that surely didn't exist at all. I mean, I take lo-fi as a natural thing in vk. The strange one is hi-fi lol

I got you fam

Generic vk taking influence from generic WWFcore is such a cross-pollination of two extra potent brands generic that I can barely breathe here

Thanks for catching that. Seems like it screwed that one up since it's actually 41 min. long. I'll re-download tomorrow at noon~ish when it's not peak streaming hours.

Thank you! Getting the perspective somewhat accurate was the toughest part as the reference I used didn't show scales. Had to use a bit of imagination there. I'm glad you said that, it's the vibe I was going for 😊 Thanks! 😄

Leetspeak Monsters [STREAM IS NOW AVAILABLE ON MAIN CHANNEL] They go on in about 6 hours from my posting. Since archival is inconsistent among bands, I suggest anyone who is a fan record if they're inclined to. This will occur during my sleeping hours 😴 - LMAO. Ok this is the fucking thing that confused me when I thought premium was free: Okay, adding a couple things to finish out the night: ViSULOG is what's free to premium members for a month. Unfortunately, I seemed to miss out on a oneman and two-man, but they aired in very-early March prior to topic creation: https://live2.nicovideo.jp/watch/lv324650484 https://live2.nicovideo.jp/watch/lv324587619 This is what WILL air: Benjamin & Fantasy Twenty-Seven has a One-Man Tour Program. I'm not sure if it's Covid related so I won't link it for now ZOMBIE is doing an "emergency broadcast" digest of their new album on 4/4 https://live2.nicovideo.jp/watch/lv325059530 レイヴ (rave) is having a "non-spectator" live + Nagi's (Dr.) Birthday on 4/6 https://live2.nicovideo.jp/watch/lv325078437

...are people taking this seriously?

just like their name huh

New Band 東京[凛]廻。-トウキョウリンネ- (Tōkyō [Rin]ne) Members Vocal. 莉世 Lise /凛廻のおかーちゃん (Rinne no Okaachan) Gut そら Sora (ex ZeroCre) Gut しろ Shiro (Maybe ex INFY2TY ??) Bass らん Lan Dr 花火 HANABI Demo Start 2020.05.01 Shinjuku Wild side tokyo https://twitter.com/tkr_2020

New single「瀧夜叉姫」 2020.4.29 release 1. 瀧夜叉姫（たきやしゃひめ） 2. 鉄皇（くろがねおう） 3. 豪賊（ごうぞく） 4. 瀧夜叉姫 -Instrumental- 5. 鉄皇 -Instrumental- 6. 豪賊 -Instrumental- 価格：1,400円

キズ (Kizu) new single, "地獄" (jigoku) will be released on 4/28 They will also hold their oneman live, "糸" on 4/18 at 下北沢GARDEN, and will also hold a separate oneman tour "地獄巡り", beginning in May!

New band "ああああ" (aaaa) has formed [members] Vo. スな (Suna) Gt. てと (Teto) Ba. 石倉康司 (Ishikura Yasuji) they will hold their first live at 2020/08/26 at Shinjuku CLUB SCIENCE https://twitter.com/aaaaofficia1

Related to this, I wonder if there's any bands that actually had good production (i.e., not compressed to death "hi-fi", not poorly recorded). The early-mid 2000s stand out in my opinion for vk production (indies and major)...then the loudness war swept vk LOL

We commented at the same time lmao

I haven't watched a new anime in YEARS. Not counting things like movies from Studio Ghibli or the Nickolodeon Avatar series, the last new-to-me Japanese anime I watched was Yu Yu Hakusho in like 2007. That's about the time I fell out of anime. While I was digging around for new music I came across the OST for Made In Abyss and absolutely fell in love with it. This made me want to find out what the source material was like because the music painted such a vivid imagery. And wow is it good. It took me a moment to get into it but when it picks up it really takes you for a ride. I did not expect to get shaken up emotionally but I got pretty invested in the characters and the trials they go through. The main draw for me though is the lore and world that's built around the story. I think a similar reason I loved an anime like Yu Yu Hakusho is the sense of discovering a dark and unknown frontier. The show just feels alive when there are maps and characters talking about creatures they've discovered or when they come across something brand new that's been undocumented. This is the first time I started to read the original manga because I enjoyed the show. It certainly isn't perfect, but for a short 13 episode season I think it's pretty solid. And that music *chefs kiss*. I'm bummed the sequel movie "Dawn of the deep soul" is put on hold for US theaters. I found out it was supposed to show 2 weeks from now : (

NGL the slap bass is pretty cool but on the flip side, although it's a pretty generic chugging riff it sounds awfully similar to:

I tried that too and also found nothing lol it really is mysterious! I appreciate you giving it a listen though, thank you!

Quickly looking at some of the others they have some skips too. #01《寺子屋ツアー2020～配信編～》has skips at 10:01 and 10:36 just from the small parts I looked at. Something weird must be happening during the download process.

Ba.karma and Dr.和夏葉 (Wakaba) have joined HOLOH at 2020/4/1.

I thought they'd disband, but maybe DIMLIM can actually recover now?

I literally was shocked then I realized it's still April Fool's Day. I was not ready, now it's just a disappointment, but hey, 8P-SB still bops so haters can exit stage left.

I have no information on this but I believe the band themselves have no idea what to reward for attending all 6 concerts so 9 months later, they haphazardly remixed "不均衡キネマ" (a song that they heavily pushed back in 2011), slapped the 5 remixes onto a cassette tape ("its retro cos its old technology so it fits our retrock image!!!!") and called it a day. Definitely not demos IMO. By the way, the date found on the cassette tape is the same date as "MERRY 【collector】Tour EXTRA～謎の日～＠恵比寿LIQUID ROOM" which the attendee in the blog that @crossparallel cited so ya, you got to attend 6 concerts to collect the stubs in Nov 2011 and then pay to attend that 1 gig in Aug 2012 to get that mystery gift WTF

Perhaps you want to refer to what some people here call the "guitar-wanking"? That sort of excessively chopped guitar lines and/or fast high-pitch melodies. That work is featured in both djent and math genres as well, although their differences.

A parada é que MH não se propõe a isso, nunca se propôs. É um fórum de 50 cabeças que tão aqui desde sempre, conversam sobre os mesmos assuntos a 10 anos, xingam bandas velhas e novas e gostam de uma coisa ou outra nova. Uns saem e voltam, uns novatos entram e curtem, muitos não ficam, e é isso. Não acho que seja a intenção crescer e virar algo com um objetivo maior, já tem lugares propondo fazer diferente por aí. Aqui é tipo o safe spot da comunidade ocidental pra falar besteira dessa coisa nicho do nicho do nicho chamada VK. Quanto a downloads, as regras daqui são as mesmas pra música no mundo todo, não acho que tenha que ser diferente. Baixa quem quer, compra quem quer, faz streaming quem tá afim. Cortar o acesso pra tentar forçar uma compra ou coisa do tipo só serve pra alienar uma galera de curtir a música. Nurié por exemplo, eu me amarro demais no som dos caras. Eles estão no Spotify, então 100% do tempo eu ouço por lá, apesar de ter baixado pra caso um dia não esteja mais disponível. Pretendo comprar os CDs quando o dólar não tiver fucking CINCO REAIS E TRINTA CENTAVOS, mas mesmo assim porque gosto mesmo da banda. Dar 70 reais num single de 3 músicas é uma maluquice surreal pra maioria das pessoas, a verdade é essa

Nice drawings . I like it.

The drawing looks really good! I think the work on the koi fish's scales paid off; they are beautiful ❤️ Love the peaceful aesthetic in the drawing; the pink/light purple(?) feels easy and nice on the eyes

retsu (ex. DIMLIM) solo live scheduled 6/24/20

ああああmazing news!

This is probably an April Fools joke from their session band since all their accounts became active on April 1st... or is this just really coincidental... I DON'T KNOWWW. Then again, who names their band "AAAA", though weird band names like that aren't unusual nowadays.

Ninguem aqui no forum (ainda mais admins) vieram com planos de fazer esse tipo de projeto. Todos estao ocupados com suas vidas, familias, empregos que chegam a sugar a alma. MH existe pra comunidade de fas de VK (uma comunidade moderada e cuidada no nosso tempo livre) nao pra ser uma distribuidora de musica ou parceira de gravadoras. Isso requer muito esforco e tempo, algo que ninguem veio preparado pra investir laaa no comeco do forum. Fatos. ¯\_(ツ)_/¯ Seja a mudanca que vc quer no mundo - que bom que vc apoia as bandas, etc. Mas entenda que vc nao vai conseguir mudar o jeito que os outros pensam. Esse eh o mundo, todos tem opinioes diferentes e fazem as coisas de maneira diferente. Se os mods/admins resolvessem fechar o aspecto de download do MH a comunidade morreria, porque infelizmente ou as pessoas nao tem dinheiro pra gastar com musica our simplesmente nao querem. O forum esta dividido quase igualmente entre pessoas que querem download e pessoas que nao querem/ou nao se importam. Pessoalmente, eu compro/uso streaming se disponivel. Mas nao vou mentir que ja baixei e baixo tbm. Cada um faz o que pode, outros nao fazem porra nenhuma. E a gente segue em frente. Vc pode continuar dando murro em ponta de faca, mas saiba que estara perdendo o seu tempo. As pessoas nao vao mudar simplesmente pq vc quer.

New image

Today we have an exclusive interview with new vkei band Astaroth. Astaroth is an orthodox visual kei band who revealed themselves at what was advertised as a solo oneman by vocalist MISAKI, on January 16th of this year. The members have a strong connection to the Kansai (関西) scene, and they've drawn favor thanks to their promising first single. The band talked to us about their inspirations and how their first steps toward activity have been so far. Astaroth, thank you very much for agreeing to this interview. https://vk.gy/blog/an-interview-with-astaroth/

It depends on the circumstances. Some lo-fi recordings hold up because the guitars still have mids, the bass still has low end, etc. Basically, it has what I call the "minimal EQ required" to sound good to the ear. Songs like "Machibouke no Kouen De" by The GazettE, or pretty much anything from Vice Risk. Others hold up because the low fidelity works with the aesthetic. For example, DEViL KiTTY's "Hello Katty" is probably meant to sound like a bad MP3 download. Or how Guruguru Eigakan songs are based on Japanese popular music from the 1900's to 1945, so some of the older songs kinda have the lo-fi feel of older music. However, some low-fidelity recordings do not hold up. A good example is, weirdly, of Devil Kitty again. After Sasaki switched to guitar and Shita joined on bass, Yuuga had the wonderful idea of scooping all the mids and low end from the guitars, making it sound like it has a phaser effect, but "stuck" somehow. This is seriously ear grating and a serious step down from "Ese Ikare Rockstar", which imo had really great production, not just by DK standards but also by early 2000's vkei standards. Basically, I would say there are different tiers of Lo-Fi. You got S-tier, which sounds good to the ear, fits with the aesthetic, and holds up. And then you have F-tier which is the worst of the worst, garbage, would make Black Metal jealous lo-fi. Most Vkei falls somewhere in between

It's penis music lol. Okay, I'm not here to talk shit about pop music, especially not Kpop. There's more artistic merit to it than some give it, and many perfectly sane Kpop fans get unfairly lumped in with the Stans. But man, I used to be really neutral and happy towards Kpop back when I first got into VK, y'know, being like "Hey guys, let's all get along and talk music and have fun 🤗" but then some of them got into my DMs and completely disrespected my music taste, insisted that "It's all Asian, it's the same, so you should love BTS too or something's wrong with you weeb" and I even got into a fight with one because she said some super ignorant things about--not VK or the band--but just metal music in general (didn't help that she attacked Insanity Injection whom I really like but she said "this isn't music, it's people screaming into the mic" and so I just reversed the logic with "[Kpop] is not music, it's meaningless noise created for brainless consoomers"). All of this shit wasn't even on Twitter, it was on fucking anime Instagram posts and random or VK Youtube videos. And nothing, not even saying "I don't like western pop" or "I'm not fond of Jpop myself" calms them down. I've been called racist against Asians because I don't like Kpop--never mind the fact that I'm on this forum so that says something about what I think about Asian people--I'M FROM ASIA. I don't even pass for white more than like 25% of the time... Honestly, it just makes me more and more irate as the years go by, because I was so open minded about it and willing to be friendly and actually listen to their damn band recommendations. At this rate I'll be an unironic Anti before I'm legally old enough to pour my own drinks. That background is needed to understand my current stance. I did genuinely try to get into Kpop; I started with BTS like they all tell you to and I listened to about 5 different releases of theirs. I was far from impressed. They sounded behind the times. Not in a charming way, but in a way that made me feel... Uncomfortable? I recognized the electronica-infused choruses and hip-hop inspired verses from Western pop music and even some elements from 2010s fads like tropical house production [God I hated that fad] and asked myself "Why is this any better than the white people stuff?" I don't think it is. I think it's on par, personally. I think this stems from an issue Kpop fans have. They can't just call a mediocre album a mediocre album, or even acknowledge a bad song/album because of hype. It's all got to be amazing, flawless, like the second coming of Christ. Honestly, even bands I consider to be absolutely amazing have some songs I don't hype because they're a step in wrong direction or have questionable production choices, but when I say "Yeah, this album is pretty great, but stay away from track X Y Z, they're not the best" the person receiving my recommendation often finds it funny and listens anyway, and then we can have a laugh about how weird it was for a VK band to do Ska or for the vocalist to think that now's the time to try opera vocals for the first time in his life. Sometimes I even completely shit on a band I love because they're an acquired taste or have an endearing charm and originality that lacks any and all technical savoir-faire. Personally, I don't understand how anyone from any counterculture/alternative music group (wassup punks and Goths) could be really into something mainstream at the same time, I thought we gathered around this stuff because it was alternative and had messages in it that differ from the mainstream. Sure, you could remark on all the Oshare bands that aren't particularly deep or meaningful to say that VK in general is artistically bankrupt but it also wouldn't be fair if I pretended that this whole scene is just deliciously layered social/political commentary like Diru or idiosyncratic cultural experimentalism like Guruguru Eigakan. On the mainstream aspect, I mean, the mainstream kind of defines the space that creates a counterculture. It's not what they are. Well I mean, what's not mainstream is the they, and mainstream is the us. I think this sense of othering VK bands and fans experience is central to the culture's structure, as something that exists as a byproduct of failed standard conformation. I don't know how some VK fans can up and leave for Kpop so quick. Maybe they just liked the Oshare stuff, I guess, but I can't believe they would leave behind all the great post-punk, experimental, speed metal, alt-rock, etc. groups behind when Kpop doesn't offer anything similar. When I listen to pop music, I long for that missing guitar solo, or lack of Jpop chords (if it's Western pop music). Also the PVs are completely different--least from what I see. Every Kpop group I've seen is good at dancing. Hella good. And I've been doing dance for 8 years of my life, I know good technique and stage presence when I see it. When I say that, you might be shocked to know that I still prefer VK PVs where the bandomen just stare at the camera and sulk, or dance around while playing guitar or something. There's been masterful executions of this simple formula, like in cali≠gari's 歪んだ鏡 which legit gave me nightmares of Hage Shuuji staring into my soul. Might be a false positive because that song dredges some mental trauma other than his face but my point still stands. There's also a lot of PVs that don't have killer dance moves but have a lot of creative spirit to them, like BUCK-TICK's EMPTY GIRL or literally anything Malice Mizer filmed, and that's the stuff I like the most. I've lost interest in big-budget MVs, and prefer a smaller scale spectacle.

Absolutely love, because yes, AESTHETIC. I was trying to explain my love for 90s vkei demo tapes and it ended up with conclusion that the main point of this love is nostalgic vibes.

https://vk.gy/blog/an-interview-with-clack-inc/ Big thanks to Kenbo! He helped with translating a few questions to Japanese. And surely also that every member answered the interview very nicely! It's an interview everybody enjoys, so please read even if you aren't a fan! ^^ EDIT: Why did we choose this band for an interview? CLACK inc. is maybe not the most popular or best band around (for some of us), but if a band changes their members it's always interesting to dig in them a little bit. I'm also glad that Jae_agent33399 helped us with giving a good direction of questions we could ask. Looking at the history of this band and members and current members it's a good band to have interviewed too, because hey it's interesting what they have been up to and if they can hit more people hearts! Because this band starts a new area I won't share their music in this topic. Still I hope that people are exited to discover more about their upcoming single. I'm looking forward to it! So keep tuned okay? A really big thanks to Kenbo, without him, this interview maybe wouldn't be possible at all.

Some of your opinions remind me of this meme

Gee, off the top of my head, Sui (David)'s the type who goes hunting for pussy on tanuki (allegedly), but as for more severe actions, Gara would be another one. There's that rumor going around of Kyo and his posse raping groupies back in the day when Daisuke was still alive, and I'm pretty sure Gara was one of them. He's also fucked around with other girls even when he had a girlfriend/was engaged???? As for non-jrock artists, I've listened to plenty of black metal/dungeon synth artists who are self-proclaimed murderers and Neo-Nazis (Burzum, Bacchia Neraida, etc.), but at the end of the day, I don't let that get in the way of listening to their incredible music. Their actions shouldn't affect the band as a whole (although I can't really say much about 90s black metal artists LOL), it's just one person fucking up immensely and it would be really petty to drag the rest of the band into it (ie, Egoist guy who killed his mistress was smart enough to say he's a part-timer instead of bringing up his band), unless they appeared to be condoning it (ie, people who still work with Kisaki and treat him as indies Yoshiki or whatever). As long as they don't glorify their actions thru their music, they should be separate from the actions of one dude.