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stan this asia

1.) Live limited release. It is archaic and need to be left behind in the age of streaming. Elitism won’t work these days. Sorryboutit. 2.) band name using all kinds of symbols and/or numbers that is not easy to pronounce. For obvious reason.

Yuuga topped this with naming a session "THE." .

that's already double the followers -OZ- had in japan, good for him

Are we getting less new bands? I don't think so. More like most of time if there's a news of a new band forming, that's all we'll ever know about them until someone does some digging to find out they disbanded few months later.

it's not just you & a number of people from noticeable projects retired/semi-retired over past few years, which contributes to the temporary (?) stagnation.

Personal thing that annoys me, not all bands do this but, fucking A/B/C/D types oh my fucking god. Please just release everything on a "master cd" too because only obsessed bangyas or rich fans (aka not me and most of my VK friends) buy all cd types. I already think I'm stupid for having bought two types of one cd a little while ago because I just wanted to see the making-of, which was a little dissapointing ngl. Besides I too think that the whole secretive part to VK is kinda stupid, there's nothing wrong about age, sexuality nor relationships. Seriously, in the west celebrities who are in a relationship get labelled as "goals" by their fans, but eastern celebrities like VK-artists and idols too get sooooo much hate for it??? I still really hate the Kiryu bangyas for having sent all those emails to Takemasa last year telling him to kill himself after they found out he was married. Also the YouTuber thing that's kinda happening to some bands, it's kinda fun, but only for the Japanese fans. I can barely follow any video because I just don't understand. Some video's can be funny if the video is obvious in what's happening like changing instruments or smth, but when they're just talking or eating, it's just... "Okay so do I just listen or what am I supposed to do?". I haven't seen many video's that actually have English subtitles, only a few, and a few on blogs with fan-made translations. Even then it's still kinda boring if you keep having to look away from the video to read the text on the blog.

Live limited releases are probably the most annoying. Especially if there is no digital release.

Funny that Loki was in Sugar and went on to form More. Also don’t forget D.

Also make sure your band name is easy to Google. Don’t make it one letter or a super common word like “Sugar”

IMHO this is yet another the case of the "NOT HEAVY = HORRIBLE" tired trope, similar to what happened with DEZERT. And yes, while I was also expecting more, there's also a lot of raw good ideas here, that could definitely have used a couple months more to flourish. After Rijin there was Kidoairaku, so I'l treat it as what it is: a conceptual release, an experiment to further polish the identity they are looking for. highlights: What's Up?, Lament, MIST, Tick Tak, out of the darkness

I have a theory and I call it: everyone has a number. Passed by some ardent sexual reformers today who were hellbent on proving that there was nothing wrong with having a high body count, but refused to divulge their own when I asked. Look, if you have a high body count and you know it clap your hands, but do not try to lead people down a path you aren't willing to tread yourself. Having a high body count (body count = number of sexual partners, if you got this far and didn't know what I meant) isn't inherently bad, but correlation implies causation. I haven't met a single person with over one hundred sexual partners who I didn't deem to be a sex addict, even including my best friend. I don't care how sexually open-minded you claim to be, but everyone has one. A limit, so to speak. The number of sexual partners from which the conversation changes from "ok cool no problem" to "that's a bit much" to "you need some psychiatric help". Some people have their number tuned exceptionally low, perhaps even single digits. Some people have an unbounded limit (that they haven't met yet). I know my limit is around 50 and I think that's reasonable. Said best friend from before is hovering around 70, and I think a few venereal diseases and some heartbreak changed his tune on sex. I got to thinking about Pebbles today, the name of a neighborhood entrepreneur who has done business with almost everyone in the hood (but me, and thank god for that), who I think legitimately classifies as sex addicted. Over 300 partners before the age of 20 (without getting pregnant somehow), disowned by her friends and family, bouncing literally from one dick to the next looking for some stability. It's cold out here today; wonder who's house she's in now. Most of the people that I know with a high body count are unhappy and ashamed of it, almost as if having constant, emotionless sex to fill a void isn't actually all that pleasurable. I was never sexually manic, but hearing these testimonies from multiple different people who don't know each other changed my opinion a lot. And I didn't even think that was possible.

I don't know, I think there's still a crazy high amount of bands forming constantly. At least I've always felt it kinda overwhelming, lol. I mean if you check the first few pages of the News subforum there are like a dozen newly formed bands within the past 3-4 months.

It's either that we're getting less newer bands or people in the overseas scene are simply digging less deeply & not reporting on every single session band / new band that forms and disbands a week later anymore

1st release is now available

Considering the musical direction they took, it's so strange the absence of Bass. It has no presence in the mix, only some kind of " sub " very low sound behind every instruments. But man.. it's so groovy, the bass need to groove their. My first reaction with the first song was : ' it feels empty '. I hope they will find at least a new bassist and come back to a more emotional side

Make up boys are a recent trend in Japan, a lot of popular instagram/youtube guys are wearing (mostly minimal) make up and even doing tutorial for other boys but they 90% appeal to girls. In the US/Europe everyone would probably think you are gay but there is no such connotation in Japan. After all people who shave/trim their eyebrow/dye or perm their hair were considered gay in the western culture until few years ago but have been absolutely normal things for a straight guy in Japan for at leas 20 years. Weird hair color is a different issue, most people will look at you as weird or someone who hasn't a serious job, etc.

I'm having Tsuzuku/Genki Vietnam war flashbacks with this comment. I can't agree more. 😧😭😢

On this matter I would like to congratulate Gravity for making a point of being acknowledged as グラビティ↗↗楽しさ♪FULLVOLTAAAGE. I think they took this very seriously and I appreciate the effort.

Not really a trope, per say, but I want to enforce a strict rule that requires you look up a band name before you officially debut to ensure there aren't already 3423042042 other bands with the same name already.

Yeah this. You can sometimes hear Sho on the verge of going off the rails, but he can’t because it wouldn’t fit the music at all. It’s almost like he started to cut loose and Retsu was on the other side behind the sound board, wagging his finger.

Apparently the farm has an instagram and it's reaaally big. Also a fresh pic of Natsuki. https://www.instagram.com/sekine.farm

Nazis.

[tracklist] 01. 音無 (Otonashi) 02. カケチガイ (Kakechigai) 03. 激情 (Gekijou) 04. 白日 (Hakujitsu) 05. 雨音と憂鬱 (Amaoto to Yuuutsu) 06. お伽噺 (Otogibanashi) 07. 無垢 (Muku) 08. 「追憶」 (Tsuioku) 09. 蕾 (Tsubomi) 10. うたかた (Utakata) 11. ズタズタ (Zutazuta) 12. 絶望輪舞曲 (Zetsubou Rondo) 13. 焔 (Homura) 14. 芽生え (Mebae) DVD-01. 音無 (Otonashi) PV DVD-02. 絶望輪舞曲 (Zetsubou Rondo) PV

I would ban the trope of completely toning down your sound and visuals once you go major. Like... you actually got money now, why not go all out with the visuals and the music? Why the hell do you just start wearing less makeup and host-boy hair and playing generic pop rock the second you make more than 10 dollars? So many great bands have been lost to this trope

Tick tac best song, might need a few more listens to digest though.

why the hell are they selling DSS instead of Arche?

This album is like a very elaborate joke that gets old not even halfway into it. One of my more tiring listens in recent memory.

On the plus side, that's less money to spend. Nice!

That they look like women. Man, I love the music but looking at artists sometimes and just see a bunch of gay looking dudes.

I'm going to an emo drag party next month and I gotta re-emo myself. Oh, who am I kidding? The emo never left.

Gay rights

tbh we need more stans like u but I'm just really pissed off they're starting the revival cash-crab with something lacking any effort if this was preceded by a single or a mini I maybe would've considered something off this list

this album's WEIRD but i'd rather have a few more strange ones like this than a hundred alright albums that do just fine. not sure why the 'are they vkei or aren't they' debate is so lively when the music sounds more vkei than 鵬翼 & their looks are more vkei than 達郎's in 心のない町's PV. between this & DEZERT i'd say rather than declaring individual bands to have fallen off the vkei wagon we're seeing the early phases of another branch of this scene, like what we english-speakers call oshare/nagoya/angura/art kei. indie kei? i think it could be a thing & would love to see more of it tbh retsu could put out a full album of SEs & i'd enjoy it - maybe that's bc i don't listen to enough actual IDM or Flying Lotus et al but either way it pauses & carries the mood of Misc. & CHE DO A RA both nicely; this is a hill i'll absolutely die on. 7/10 imho is the perfect rating for this album to end up with - every album dimlim puts out seems like a different band's debut & i hope they stay around to make 10+ more

i find this album interesting, yep, its different from their previous works, and the distortion and the electronics sounds are hard to be used to (but tbh I'm still getting used to their use of those sounds even in previous songs) Something that i really liked, and this is just my personal taste is that are less guttural xp Sho voice reach some really beautiful and vibrant notes, this band is pretty new for me so im not that demanding? But I liked it, i just listened the whole album twice today, Tick tak is *insert Pacha meme*. I think this album needs more positive opinions, Tick tak, mist, lament and Whats up are faves now. I will look forward to their live here in Mexico <3.

Gt.大和 Yamato (ex ゼログミ Zerogumi) 100 RT complete Today 21 hrs japan

Rijin is one of my favourite releases ever but this killed my vibe, I think retsu is a lost cause and sho should leave for better projects

My heart and what little I have seen of his youtube channel tells me he's (FFXIII) Lightning kin

The music box intro

PVs/songs about abusive parents and/or TWISTEEEEED children trying to kill their parents in some way

If this is the sound they wanna go for moving forward then I'd like to think it's something theyll just keep getting better at with each new release. I know technically this isnt a new band or a debut album but that's kind of what it feels like (not in a bad way) and itll just take some time developing this new era of dimlim to reach their full potential. Unless of course they do another 180 with their sound in a year or two but I would like to see them move forward with what they went for in misc. My first impressions I'd probably give the album a 7/10 but I need to sit on this for a week at least before giving a proper score.

I can't vote on the poll yet cuz this is gonna take several listens. But what's painful here is that in some tracks Sho's voice is so obviously constrained to fit the songs. He has to use 10% of his skills to be able to fit into what this album is going for.

the swedes

For the most part I feel the same about the album as a whole being messy (dunno if any remainder gya would dig it), but at the same time... This is probably one of the more exciting things I've listened to in a loooong time and I really want them to implement a lot of what's present here in a future release. It was not exactly the songs, but those brief "woah" moments that really made the album for me. I'd get into a groove and then there's this section of weird aural fuckery that gives me the tingles, but afterwards the track might lull out. The mixing is pretty great too, though I wonder if it's b/c I'm used to muddled cheap-kei production as of late. I have a good feeling I'll be listening to this album for at least a month. Brief Notes: The chorus of "MIST" on first listen kind of gave me レイラ/nil admirari vibes (?) "Take me out in the midnight" is the most Chon-like of the tracks, and it's super fun. "Funny world" is all over the place but it absolutely works. Sounds like it would be a killer live track. "+&-" at the beginning almost felt like an iglooghost track, but abruptly turned into a trap instrumental Beiber would use (a bit of a head scratcher.) The beginning of "for the future" sounded nu-BMTH, but the rest of the track was pretty normal. "Tick Tak" is godly, especially after 2:00. There are parts of "TO FOOL" that are a fucking trip, but then "Before it's too late" goes really heavy-handed with that nu-metal-like intro. Then it's just Sho screaming with R2-D2 getting the succ in the background and it sounds fucking goooood. "out of the darkness" starts out pretty nice and then the vocals get all sensual and whispery... then just goosebumps w/ those sub bass sections w/ bonus taser noises. "Lament" ended on a super fun note.

I don't doubt this at all, but from what I've experienced and observed, I think this is the case with pretty much everyone. I think we all have an idea of who we are, and we present a certain version of ourselves to the world , but underneath the surface, there's all kinds of stuff dwelling there in the abyss of our hearts: trauma, resentment, anger, sadness, lust, envy, you name it. Some would call this the "unconscious" or the "shadow", but whatever you call it, if you don't visit that underworld often and get acquainted with these things...if you don't maintain a habit of healthy self-reflection, then all it takes is the right circumstance for any of these things to come bubbling up and usurp the authority within you. It's not pretty.

I've come to the depressing realization that I'm approaching my thirties and that's hindering further my ability to form close friendships, since everyone around me is more and more invested in their significant others/offspring and is making it really difficult to form close friendship bonds when their priorities clearly lie somewhere else. The whole inherently sexual dynamic around interactions makes it really difficult to form the kind of bonds I need, be it because I can't provide it or because people are getting it elsewhere and thus forming closer bonds elsewhere. I think I might have depression and it's embarrassing to even get to the point where, despite being and extremely independent person, loneliness has me sinking further and further (and thus further devoting time and resources to mild coping mechanisms such as VK). I'm pissed movies and books lied to me about close friendships and I feel I face deep suffering one way or another, either by depriving myself of the emotional connection I need, either suffering from "giving in" to someone else's needs in order to have said emotional connection. I don't think I can live my whole life like this.